Auras seem to be artifacts of our interactions with all of the rest of creation to manifest whatever we need in our world. Auras are a kind of visual key to knowing the negotiation or mediation processes between our conscious, subconscious and unconscious desires and our collective super-consciousness which is our link with creation whereby all our dreams are made manifest.
Once we pray, meditate or day dream our Aura colors be a little more highly charged and that we may discover our prayers are answered, our thoughts have turned into reality, or our dreams have come true. We quite often attribute this kind of experience to coincidence but those among us who are aware of the belief that we create our personal reality realize that this may not be coincidence; instead, those individuals realize that this really is our natural capability to directly manipulate reality, which we are developing on a level of our conscious awareness using our feelings and thoughts to steer ourselves.
There exists a real interaction occurring between us and also the world around us on a subtle level which may be perceived by developing the talent to view auras. Everyone has this talent; it is really an innate element of who and what we are. However, developing this talent to your degree where we might consciously perceive and study auras might take a bit work. By imagining we already are able to do that we are able to open the way to actually develop this talent right into a great tool inside our lives. While imagination may be our initial step on this journey, our journey continue past the limits of our own imagination and might manifest in a very real talent that helps us to perceive the planet around ourselves more clearly and to change the world more deliberately.
I realize that auras appear as colors that move about and within a subject. With any subject there appear to be many associated colors, usually there are several particular colors which look like dominant. The colors along with their forms and motions often improvement in reply to my thoughts or the thoughts of my subject when i am studying them. The interactions of my thoughts using the colors of my subject’s aura assist me to to start to produce an idea of what is happening within my subject’s life and whatever they may need to learn.
Typically I actually have preferred to sketch a portrait of my subject on a roughly textured neutral gray paper with colored pastel pencils. Drawing the actual kind of my subject’s face takes about a few minutes to produce a light sketch, meanwhile the action of drawing helps you to move me in to a more meditative, receptive state of mind where the colors commence to become clearer.
If no dominant colors or patterns are apparent i consider each one of the colors so as from red to purple/red in a number of repetitious cycles until I sense a harmony to particular colors start to emerge. (Some color flash cards or perhaps a color wheel could be a great tool for this purpose.)
Considering that the what color is my aura are moving I have to observe them for patterns and intensities and after that render a montage in the themes I see in order that the most striking or important parts are portrayed.
I speak with my subject as I sketch, making suggestions that return responses inside my subject’s aura which will help me to unravel the meanings in the colors and what is most likely transpiring in my subject’s life that is certainly being displayed in the aura.
Dark or clouded elements of an aura typically represent secrets or information my subject is repressing. Often they are things my subject is painfully conscious of or perhaps is seeking to deny.
Light, bright or shining areas of an aura indicate well being and balance. Sparkling parts represent an anticipation of imminent events.
It is possible to begin to see the influences of some other person upon my subject as my subject concentrates on that person; it might then be apparent what role that other individual plays and whether or not they will help or hinder my subject in particular ways.
Like any psychic practice, the reader must always consider their own state to be and must be careful not to project details of their own life into the reading given to an issue.
My paper tablet turns into a special window to me. On one side I contain myself so as to not contaminate a few things i see through my window. The life span of my subject generally seems to me through my paper tablet. Your window of my paper tablet assists me in maintaining the main objective of my reading upon my subject while inhibiting me from interjecting a reading personally into the process.
If you are not artistically adept you may still make use of the paper tablet and colored pencils, rather than striving to generate a likeness of the subject’s physical features dispense with all the portrait preamble and instead doodle while you study your subject until the inspiration comes to begin reading their aura.
My own favorite combination of colors is Green and Purple. Both of these colors in combination represent Art inside the Magick sense and creative activities like writing or painting in the more mundane aspect. Typically this color combination is accented with Gold or Yellow. This is the property in which the Art or art talks to us, transforming us.
The opportunity of Art (Magick) within the action of drawing a portrait is extremely strong. The reader may work as a healer and may make an effort to downplay a style that may be related to pain or suffering while playing up themes of happiness and spiritual advancement. Yet it is necessary to guide the topic when applying any Art, for your lesson coming from a pending hardship may be required by the subject as well as the lesson must still manifest in their life in some form. Typically this type of lesson is replayed over and over in a subjects life; so instruction may be drawn from their past, such that they might finally ‘get it’ and dispense with the necessity for many further repetitions of a lesson which might become potentially harmful or unpleasant in nature.
The effective use of Art rarely prevents the next cycle with this repetitious lesson from playing out, but it may ameliorate the following cycle to some great or small degree and the subject may be better able to gain knowledge from the next repetition of the lesson if the reader has properly prepared these to perceive and understand their lesson.
To begin your own exploration of auras find some good crayons and a few rough neutral paper. The backs of brown paper bags are incredibly great for this. You can utilize photographs, objects around your property, pets, plants or nljsii as the subject. Monochrome photographs are particularly good for this kind of exercise. Place your subject against a neutral background such as a vacant white wall. Study your subject around the edges, when it is someone, pay particular attention to the crown chakra where the energy channel is frequently strongest. (You may even try directly observing a subject’s chakras.)
Personally, I find the edges of any subject’s profile are the most effective places to begin seeing the interplay of colored light that emanates from within them. If you feel the thing is nothing, then imagine what you believe you may check if you can see auras. Take notes with the colored pencils and then try to associate your thoughts with all the Chakra colors as you take notes. You can do this by simply utilizing the color crayon that seems most appropriate to you personally to create your thoughts with. You might be not essential to arrange your perceptions in the form of an image. Sometimes a thought might have one strong color and several associated colors. You are able to loosely overwrite anything you have written with the exact same words in a different color once this seems appropriate, or you will probably find new words emerge as you pick a new color in association with something you might have already written or drawn.
Just allow this to happen; don’t get too involved in how you do this or what you might like to learn about an issue. Instead, open your heart and mind to every tiniest thought and feeling and follow these wherever they might lead you.